4 January, 2025


First new song learned on my new instruments brought by Santa (at Christmas 2024, of course).


Lyrics and music by English folk singer Graham Moore (1995).


But my main reference, personally, is the English-Welsh folk band The Trials of Cato's version (2018)

(I wrote about them in this musical stroll).


8 January 2025

1. God Rest Ye Merry Gentlemen (traditional) 0:00

2. Bells Over Belfast (The Irish Rovers) 2:59

3. It's a Terrifier Christmas (Dave Eggar, Jon and Al Kaplan) 6:50


Many people have played "God Rest Ye Merry Gentlemen", which is an English traditional Christmas carol, listed as n°394 in the Roud Folk Song Index (thanks Wikipedia for the info), but here are my main personal references as far as this song is concerned: Nat King Cole's version (1960); The Chieftains' version (1991); The Irish Rovers' version (1999); and the version by Dave Eggar, Quilted Lunchbox and Teni Rane from the EP Blood Before Pride Presents: Tidings of Macabre Joy (2024), which is also featured in Damien Leone's movie Terrifier 3 (2024).


"Bells Over Belfast" comes from the album Songs of Christmas (1999) by the Irish Celtic folk band The Irish Rovers.


"It's a Terrifier Christmas" is a funny, Art the Clown-themed fake Christmas carol, by Dave Eggar, Jon and Al Kaplan, which is part of the soundtrack of Damien Leone's movie Terrifier 3 (2024).


The font for the titles is Lucida Handwriting (© 1991 Bigelow & Holmes Inc.).


11 January 2025.  When you like folk songs, Christmas carols, funny songs AND horror movies...


The first one is "It's a Terrifier Christmas", a funny, Art the Clown-themed fake Christmas carol, by Dave Eggar & Jon & Al Kaplan, which is part of the soundtrack of Damien Leone's movie Terrifier 3 (2024).


The second one is "The Clown Café", de Jon & Al Kaplan — the folksy happy fake-ad song Leah Voysey performs in the nightmare scene in Damien Leone's movie Terrifier 2 (2022).


 The first image is from my Christmas tree.


The second one is art (or, literally, "Art") by Em1rc4n (Deviant Art).


The font for the titles is "Massacre", by Norfok Incredible Font Design.


31 January 2025


My posthumous tribute to the recently departed David Lynch, in the form of an adaptation (into my kind of mindless strumming) of Angelo Badalamenti's haunting opening credits theme (1989) to Lynch's dazzling TV series "Twin Peaks" (1990-1991, 2017).

Thanks to two much more talented tutorialists out of whose examples I whipped up that thing, like Adriano Tarullo and particularly Romain CNC.


17 March 2025


Original lyrics by Irish author, songwriter and publican Cathal McGarvey (1866-1927) at an unclear date.


The music is that of the English traditional folk song "Dives and Lazarus" (number 477 in the Roud Folk Song Index), and it was recycled by some Irish folk singers as the background music both to the ballad "My Love Nell" and to "The Star of the County Down".


The first version of this song I've ever heard is that of Fair Isle Folk (1985), on a compilation of "Irish Pub Songs". Since then, though, I've been particularly thrilled by the live version of French Celtic folk band Tonynara (1999). But obviously the classic versions of The Chieftains (1988) or The Irish Rovers (1996), or the punk-ish version of The Pogues (2005) are all very important and striking iterations of the song.


More on the lyricist, McGarvey, and the history of the song, in note of 13 of this musical stroll.


27 March 2025


Obviously, lyrics byPaul Simon, music by Paul Simon and Art Garfunkel (1964). The cover is dedicated to Maëlle Tessier, who "commissioned" the video.


31 March 2025 


The actual original version (or the "original original") of this song was created by Tears for Fears (1982), with words and music by the lead singer and lead guitar player Roland Orzabal, but sung by bassist Curt Smith.


However, I really don't like this version at all.


The song was covered in 2001, as part of the brilliant, eerie original soundtrack for the brilliant, eerie movie "Donnie Darko", with vocals by Gary Jules, while the music was arranged and is performed by Michael Andrews (who also created the rest of the movie's score). I feel like these two guys took a lackluster song by a band I admittedly don't care much for, and changed it into a magnificent piece of heartbreaking perfection.


Obviously, it's the Jules/Andrews cover, rather than the Tears for Fears original, that inspired me to learn this song.


4 April 2025


My favourite song by Bob Dylan (with a bit of a borrowing from the traditional Scottish ballad "Mary Hamilton" (Roud Folk Song Index 79) for the melody of the chorus), from his 1964 album The Times They Are A-Changin'.


A beautiful, tragic indictment of the horrors of segregation as well as the privileges of rich, connected criminals (and not much has changed in that regard, don't you think, Donald? Elon?).


The Dylan portrait in the background is a replica, by my good friend Maryse Bellenger, of Malika Favre's New Yorker cover for 13 October, 2016 (the day when Dylan got the Nobel Prize for Literature).


And my Dylan Dog T-shirt is no more than a fortunate coincidence.


7 April 2025


Music and lyrics by Léo Ferré (1969).


10 April 2025


I'm not particularly a fan of the Rolling Stones, generally speaking, but that specific song (1966; lyrics and music by Mick Jagger and Keith Richards), I fucking looooooove it.


Here's also a fun parody, which I love too.


Here's a little tune specially for you on your special day! 😉



Also, it's supposed to be a mixture of a melody for a song called "Good Morning to All" (1893) by Patty and Mildred Hill, and lyrics that were then put to it at an indeterminate time, but the first actual copyright registration was made in 1935 and credited Preston Ware Orem and Mrs. R. R. Forman for the lyrics.


18 April 2025


Lyrics by Arthur Freed and music by Nacio Herb Brown. Initially introduced on Broadway by Doris Eaton Travis in The Hollywood Music Box Revue (1929), then widely popularized by Cliff Edwards and the Brox Sisters in The Hollywood Revue of 1929, then played for years by many different artists — but of course the most famous version is the performance by Gene Kelly in the movie Singin' in the Rain (1952), directed by Kelly himself and Stanley Donen (and produced by Arthur Freed, the guy who wrote the song's lyrics initially. We've come full circle).


20 April 2025


It's not St Patrick's Day, but it's Easter, and for those who are interested in Irish culture, Easter means Easter Rising (the 1916 insurrection that was among the first events in the revolutionary shift leading to the Irish War of Independence), and Easter Rising means "The Foggy Dew", the famous song that recounts the insurrection.

The song was written in 1919 by an Irish priest named Charles O'Neill, in a part of the country that was later to become Northern Ireland. The melody is borrowed from another, older Irish traditional song entitled "
The Moorlough Shore" (Roud Folk Song Index 2742). One of the most famous late 20th century performances of "The Foggy Dew" is probably the 1995 Chieftains/Sinéad O'Connor collaboration (on the Chieftains album The Long Black Veil), and the good ol' Dubliners obviously killed it, when they did that song, but I'm particularly fond of two French versions,   Gilles Servat's collaboration with The Dubliners'  Ronnie Drew Servat's 1996 album Sur les quais de Dublin, and the version by Tonynara, from their 1992 album Vagabondages.


24 April 2025


I have happily received in the mail my DVD of Takashi Yamazaki's excellent movie Godzilla Minus One (2023), and so, as a tribute to the King of Monsters, to the fountain of joy first unleashed in 1954 by Ishirō Honda and Shigeru Kayama, I give you my "unplugged" version of the Godzilla-themed song "Trampling Tokyo" (1994), written by Alan Moore (the comics writer and novelist who wrote Swamp Thing, Watchmen, the 1980s reboot of Marvelman, From Hell, Halo Jones, The League of Extraordinary Gentlemen, Lost Girls, Voice of the Fire, Neonomicon, Jerusalem, The Great When and countless other formidable works), with music by Patrick Huntrods, aka Pat Fish (aka the Jazz Butcher).


The lyrics were initially published (with illustrations by Arthur Adams) in the anthology comic book series issue Negative Burn #18 (1994) and the song was recorded in 1993 with Alan Moore singing, Pat Fish singing along and playing the guitar and the organ — but it was only released  in 2011, as part of a CD compilation of Alan Moore's songs, sold along with Gary Spencer Millidge's biographical book Alan Moore: Storyteller.


I don't know if the guitar chords I'm using are the right ones. I deduced them from the melody. Likewise, my harmonica ramblings are a very approximate approximation to what Pat Fish does with the organ in the original recording. Hope this is all enjoyable enough.

The background to the video is beautiful
fan art by Noger Chen, inspired by Hideaki Anno and Shinji Higuchi's magnificent movie Shin Godzilla (2016).


4 May 2025


Challenge: singing in a language I do not know at all. Hope the result is not too shitty (or the idea too cringey), but I really love the song (and the movies it is attached to).


So here's "Urami Bushi", the song performed by actress Meiko Kaji for the soundtrack of Shunya Itō's movie Female Prisoner #701: Scorpion (女囚701号/さそり, Joshū Nana-maru-ichi Gō / Sasori) (1972), in which she starred, and the movie's sequels, in which she starred too.


The lyrics were written by the director, Shunya Itō, and the music is by the soundtrack's composer, Shunsuke Kikuchi.


(You may also know it because it is featured, as a tribute to the Scorpion movies, in the end credits of Quentin Tarantino's Kill Bill, vol. 2 (2004).)


15 May 2025


My favourite song by Tom Waits, from his 1983 album Swordfishtrombones.


17 May 2025


Lyrics by Renaud Séchan. Music by Franck Langolff. The song dates back to 1988 (it was on the album Putain de camion), but it could have been written yesterday, as, 37 years later, absolutely nothing has changed, or if it has it's for the worse.


22 May 2025


A song that is cool on two counts:
 

- first, it's a song originally released by Nine Inch Nails, on their 1994 album The Downward Spiral, and it's one of this excellent industrial rock band's masterpieces


- and, secondly, in 2002, the legendary Johnny Cash covered it   for his last album before passing away, American IV: The Man Comes Around, and his unplugged, heartfelt folk version is so breathtakingly moving that it instantly became his testament song


25 May 2025


his cover, dedicated to my mom on this Mother's Day, is of an old American song, written and composed by late 19th/early 20th century Irish American songwriter James Thornton, and recorded for the first time in 1903, by popular musical entertainers Byron G. Harlan and Frank C. Stanley.


I haven't found out about it through this early recording, however, but through the recording by the legendaryJohnny Cash, which is part of the 2006 posthumous collection Personal File, which contains previously unreleased intimate recordings, dating back to 1973 for most of them, and found in his personal files after his death.


28 May 2025


Bubba Ho-Tep (2002), by Don Coscarelli, is a great  movie. It's a comedy horror movie, but not very deep underneath this veneer of comedy horror, it's actually a very touching, bittersweet story about old age, the whole experience is carried all throughout by a poetic tone of deep nostalgia towards some of the touchstones and legends of the history of US culture, and all of this is in the service of the pleasantly bonkers story of an aging professional Elvis lookalike who thinks he's the real Elvis (or is he, maybe, the real Elvis?), making friends in a Texas-located private old people's home with a old African American paraplegic who absurdly claims (or is he, perhaps, revealing the truth?) that he is the late president John F. Kennedy, whose death was faked and whose skin was dyed so that Lyndon Johnson could replace him, and Elvis (played by Bruce Campbell) and JFK (played by Ossie Davis) have to fight an Egyptian mummy that is on the loose and killing the home's residents every night by eating their elderly souls.


The novella on which it is based is also quite great. It is also entitled "Bubba Ho-Tep" (1994), it was written by Texan horror-fantasy-western-crime (I'd argue, neo-pulp) writer Joe R. Lansdale, and it is available in his short story collection Writer of the Purple Rage (1994).


The film's soundtrack, by Brian Tyler, revolves around a recurring theme that is well summarized in this track.


My favourite iteration of the theme, in the whole soundtrack, is the wonderful track called "The King's Highway".


In the video above, I'm basically just playing the main theme of Bubba Ho-Tep with a few bits of impro now and then. It's just a small love letter to that movie and its music.


17 June 2025


On the occasion of the publication of my article "Aux sources de la chanson réaliste folk punk de François Hadji-Lazaro : échos d’Irlande, d’Écosse et d’Amérique", published in the music section of the Ariel's Corner column of the online English-language studies journal Miranda, I am posting here my little covers of two songs by François Hadji-Lazaro's band called Pigalle.

0:00 Dans la salle du bar-tabac de la rue des Martyrs
3:24 L'Éboueur

The first one, "
Dans la salle du bar-tabac de la rue des Martyrs", was initially released in 1990 on the Pigalle album Regards affligés sur la morne et pitoyable existence de Benjamin Tremblay, personnage falot mais ô combien attachant.


The second one, "L'Éboueur", was first
released in a low-tech version on the compilation Mon grand-frère est un rockeur (1987), then reissued in a more energetic form, recorded live, on the album Pigallive (1992), a version I greatly prefer.


The first title screen is illustrated by a photo entitled "François Hadji-Lazaro en 1989 à la fête de l'Huma" and uploaded to Wikimedia Commons by a user called Mouliric.

The second title screen is illustrated by a photo entitled "Pigalle (groupe) lors de Un été dans l'Aisne 2015 à Laon." and uploaded to Wikimedia Commons by a user called G. Garitan.


26 June 2025


Hey, more or less in holiday, so, to celebrate, here's the punchiest song I know by the fella who was once christened Robert Allen Zimmerman, but whom you may know better as Bob Dylan. 😉 And the song is "Like a Rolling Stone", from his magnificent 1965 album Highway 61 Revisited.


27 June 2025


We are now entering a period of the year in which, most of the time, this song is the most appropriate one to sing.

It's a song by US singer-songwriter and Tai chi teacher Gene Burnett, from his 2014 album
Double Hitters.


Here's the original one; here's also Burnett explaining how to play the song (and yes, my cover is a considerably simplified version, because I'm a lazy bum).


Finally, here's the guy's
homepage, and the list of his albums.


29 June 2025



A bit of finger-picking, even though I know I'll never be able to do it properly — just because these days I've been listening a lot to Muireann Bradley and she's great and I'm a bit envious (you should listen to her too).


It's obviously a song by Bob Dylan, from his 1962 album The Freewheelin' Bob Dylan.


Oh, and of course, Muireann Bradley does it much better than me.



1st July 2025


It's punk time! — with "Demain il pleut", a song by Guerilla Poubelle, from their 2005 album Il faut repeindre le monde... en noir ...


... and these days, when you read the title of the song, you think to yourself: "if only that were true..."


4 July 2025


Another great song by Tom Waits, from his 2006 album Orphans: Brawlers, Bawlers and Bastards.


15 July 2025


One of my Georges Brassens faves (and an appropriate one considering we are currently experiencing the Summer break) (and all this despite my personal dislike of summer weather (as I previously pointed out here).


The song was originally released on the album of the same name, in 1966.