Academic essay (critical analysis of novels, short stories, comics and films written by Neil Gaiman mainly, but also of works by  Alan Moore, Shakespeare, Borges, Lovecraft, Philip José Farmer, Jack Kirby, Winsor McCay, Roger Avary  and many others). The original was released in October 2018 and adapted from my doctoral dissertation. This self-translation into English was published in August 2026.

Back cover:

Available in English for the first time, this wide-ranging critical study examines Neil Gaiman’s fiction through the lenses of intertextuality, metafiction, and cultural context. Informed by comics, novels, short stories, and film, Camus situates Gaiman’s oeuvre within a literary network that includes Alan Moore, Shakespeare, Borges, Philip José Farmer, Jack Kirby, and Winsor McCay. The study explores how myth operates across Gaiman’s fiction as both an inherited narrative and an evolving cultural practice, shaping the meaning and structure of his works.

Through both theoretical perspective and close analysis of sources, the book posits fabulation as a form of mythmaking, through which Gaiman’s works both expose and participate in the mechanisms of fantasy. Central to the argument is the stance that Gaiman’s fiction stages itself as a pseudo-myth, using self-reflection to reveal how fantasy partakes in both the construction and renewal of authority, tradition, and belief. The updated English translation is augmented with additional commentary and a new preface that traces the book’s research as well as recent accusations against Gaiman, situating the study within more contemporary contexts.

The book's page on the publisher's website:

https://mcfarlandbooks.com/product/myth-and-fabulation-in-the-fantasy-fiction-of-neil-gaiman/